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May 13

Cellist Julie Tandrup Kock

Præ-debut Cellist koncert 29. maj 2013 kl. 19:30

Vi inviterer til spændende præ-debut cellist koncert onsdag den 29. maj kl. 19:30 med Julie Tandrup Kock.

Programmet er:

J. S. Bach, Af Solosuite nr 6 i D-dur:

Preludium

Sarabande

Gigue

Z. Kodaly, Duo for violin og cello:

Allegro serioso, non troppo

Adagio

Maestoso e largamente, ma non troppo lento – Presto

violin: Loussine Azizian

Pause

A. Vivaldi, Koncert i h-mol (RV 424):

Allegro non molto

Largo

Allegro

M. Ravel, Deux Mélodies Hebraïques: L’enigme eternelle

Kaddisch

A. Piazzolla, Le Grand Tango

klaver: Frederik Graversen

Cellisten Julie Tandrup Kock er født i København og begyndte at spille cello som 10-årig på Det Danske Suzuki Institut. Hun blev kandidat fra det Kongelige Danske Musikkonservatorium i 2010 og blev herefter optaget i Solistklassen på Syddansk Musikkonservatorium hos Prof. Niels Ullner. Som led i sin uddannelse har hun studeret et år i Chicago hos Prof. Hans Jørgen Jensen og et år i Schweiz hos Prof. Johannes Goritzki. Hun har deltaget i masterclasses med store navne som Ralph Kirschbaum, Frans Helmersson og Erling Blønddal Bengtson. Sideløbende med sine solistklassestudier i Danmark har hun studeret i den eftertragtede Post Formazione-klasse hos den verdenskendte solist Enrico Dindo i Lugano, Schweiz.

Julie er yderst koncertaktiv og har spillet koncerter i bla. USA, Argentina, England, Schweiz og Sverige og som solist med orkester i England med OCS Orchestra og i Danmark med Kammerorkestret Arco. Med sidstnævnte spillede hun senest Brahms dobbeltkoncert med violinist Loussine Azizian i efteråret 2012.

Hun er desuden en entusiastisk kammermusiker og dannede i januar 2012 Aquila Klavertrio, som havde deres debut i Tivolis Koncertsal i august 2012 og flittigt spiller koncerter over hele landet. I juni 2012 startede hun Strygernes Storebrødre, en cello-bas-duet, som specialiserer sig i folkemelodier fra nær og fjern, som de arrangerer for besætningen.
Julie er også en ivrig orkestermusiker og assisterer ofte i DR Symfoniorkester, Tivolis Symfoniorkester og Malmø Symfoniorkester og Malmø Operaorkester. Hun blev 2011 udvalgt til at være med i The Britten-Pears World Orchestra.

Hendes cello er en italiensk cello, bygget i Modena i 1889 af violinbygger Giovanni Cavani.

 

Koncerten, som starter kl. 19:30, er gratis, men grundet begrænset antal pladser bedes tilmelding sker på Facebook, eller til Jeanne@gjeddegaard.dk eller tlf. 20661087.

Efter koncerten åbner vi Digterkroen og byder på et glas – og glæder os til at tale med såvel musikerne som gæsterne.

Martin & Jeanne von Haller Grønbæk

Apr 30

tyra_tingleff

Tyra Tingleff. When you lay colour on top of colour you get black! Fernisering 3. maj 2013

The Pleasures of Erasure

It is the blackest black which holds all colours. Tyra Tingleff knows this and her paintings insistently show it to be the case. There is a great difference between saying and showing: ‘to say’ might be taken as analogous to the discrete painterly mark; ‘to show’ then would couple with the stain, or indelible trace. Each carries its own information – however, when encountering the style of delivery associated with the former, one might be said ‘to see’, whereas, with the latter, something is sensed as much as tangibly felt. Tingleff is interested in a moment when language ceases and another mode of communication begins and carries its own time signature and bodily engagement with image and space.

This is only the first of a long chain of paired terms that structure Tingleff’s practice of painting. Her paintings are novelistic rather than literary, episodic rather than narrative. One enters into each painting in a manner similar to how they are made: like the way one, when indeed lucky, merges – bodily – with music rather than listening to song. Tyra Tingleff’s paintings are ideally to be sensed as much as to be seen. She operates through a dynamic rhythm of construction and deconstruction, moving through the workings of a painting both in and between complex layers of colour. Out of these acts emerge the hidden duplicate of the visible, or perhaps the visible duplicate of that which is hidden. There are moments when Tingleff’s paintings – and here, I mean colour as much as anything else – appear to hover as a substance floating free of its support. Trace is an important value in her work and carries as much import as the manner in which time is organized as a material process in Tingleff’s practice.

Painterly marks are often approached as either additive or subtractive. Erasure, veiling and working to reveal the haunted archaeology of each layer are amongst her painterly pleasures. The beauty of Tyra Tingleff’s painting achieves its maximum effect when it arrives, finally at the harbour of its minimal extreme: then, all that is precise and concrete disintegrates only to coalesce as a presence felt, all the more strongly, by being left unsaid.

John Slyce, London, 2013

Tyra Tingleff (b. Norway 1984, lives and works in London) studied at The Royal Academy of Fine Arts, Copenhagen; The National Academy of the Arts in Bergen, Norway; and The Royal College of Art, London. Recent exhibitions include ‘Det som er, og det som kunne være’, BKS Garage, Copenhagen, 2013; Bloomberg New Contemporaries, ICA, London, 2012; Bloomberg New Contemporaries, Liverpool Biennale, England, 2012.

Please contact us for further information about the exhibition.

03.05 – 02.06.2013 Opening Friday 03 May at 5 – 8 pm.

Opening hours Saturday 12 noon – 4 pm, Sunday 12 noon – 3 pm and by appointment.

peinture et sculpture
Admiral Gjeddes Gaard
Store Kannikestræde 10
1169 Copenhagen K

info@peintureetsculture.com

Apr 15

Wrang

Musika 30. april 2013 kl. 19:30

Det vil blive en aften med mange skønne musikalske og æstetiske oplevelser.

Som gæst vil du komme til at møde:

1. CROSSOVER DUO, Finn Hjarholt/Torben Kure. Fra renaissancen til the
Beatles og egne kompositioner, instrumental guitarduo.

2. DUO CLASSICO, Anders Jonsson, violin, Finn Hjarholt, guitar,
Klassisk repertoire.

3. DUO ROYAL, Renaissancemusik, “Elizabethan Lovesongs”. Sang: Laura Kamis Wrang og guitar: Finn Hjarholt.

4. OPLÆSNING MED MUSIKLEDSAGELSE, Laura Kamis Wrang og Crossover Duo.

5. LARS VERDICH, Akustisk blues og rag. Nr. 2 ved DM
i Blues 2013 med sin trio ”In good Company”.

6. CHARLOTTE LEMBOURN, Singer/Songwriter. Egne værker. Guitar og sang.

7. AMARU, CROSSOVER og CHARLOTTE LEMBOURN, Ny dansk/afrikansk sangerinde. Jazzy, swingende pop.

8. CROSSOVER DOU: Thomas Robinson: The Queens Goodnight

“Den røde tråd” gennem aftenens program og den der binder det sammen: Laura Kamis Wrang.

I pdf-linket nedenfor er der meget mere info om musikken og kunstnerne.

Musika i Admiral Gjeddes Gaard 30.4.2013

Koncerten, som starter kl. 19:30, er gratis, men grundet begrænset antal pladser bedes tilmelding sker på Facebook, eller til Jeanne@gjeddegaard.dk eller tlf. 20661087.

Efter koncerten åbner vi Digterkroen og byder på et glas – og glæder os til at tale med såvel kunstnerne som gæsterne.

Martin & Jeanne von Haller Grønbæk

 

Mar 14

Picture_for_invite_ Owen 800pxl

Owen Armour. Traces of Pressure. Fernisering 15. marts 2013

Owen Armour

Traces of Pressure

15.03-21.04.2013

Opening 15 March at 5-8 pm

In his exhibition at Peinture et Sculpture Owen Armour presents a series of sculptural works inspired by a trip made to remote parts of Greenland. As a recurring feature in Armour practice his work takes its point of departure in the visualization and physicality of sound and how material objects – human or non-human affect the soundscapes that surrounds us. Recordings from his journey are incorporated into one of the sculptures and played out in an infinite loop. Recordings that were primarily made searching for silence not for sounds, in a place so desolate, only the most resilient of animals can inhabit it. But for Armour silence is something never within reach, it’s a phantom, and as he encountered some of the most tranquil parts of Greenland his body and the rhythmic sounds from his recording device became even more present. Silence as well as the possibility of reaching something native or untouched by humans is a fantasy  - as the landscape changes as soon as we enter the scenery.

All the sculptures display a riveting sensitivity to the work’s material aspects and distinct personal execution. Several of the materials and designs used in the exhibition appear to mimic the physical qualities of the Greenlandic landscapes. The cracked porcelain on top of concrete slabs echoes sediments of soil, rocks and ice and the plaster logs on the floor may be reminiscent of driftwood. But the choice of materials such as porcelain, concrete and copper also seem to tell a parallel story, that of human refinement. As the earth holds a diverse set of qualities and treasures that through times has been exploited and refined by humans Amours objects too seem to carry their own inherent qualities in a constant tension and state of transformation.  A sculpture made of copper strings emulates part of its design from a radio antenna. The tape with recordings will eventually wear down and erase its own content as it loops around the body of the work.
All vibrating – none silent.

Olga Nowotny, 2013

Owen Armour b. 1980 is trained as a classical music producer. He has previously exhibited at Antechamber in 2012 and at Tove’s Galleri in 2011. He was born in Melbourne and lives and works in Malmö and Copenhagen.

Please contact us for further information about the exhibition. Opening hours Saturday 12 noon – 4 pm, Sunday 12 noon – 3 pm and by appointment.

info@peintureetsculture.com
peintureetsculpture.com
+45 2299 4301

Jan 16

Jonas billed

Jonas Jensen. Aftenlandet. Fernisering 18. Januar 2013

peinture et sculpture

Jonas Jensen
Aftenlandet
18.01 – 24.02.2013

Opening 18 January at 5 – 8 pm

 

The Occident (Aftenlandet) understands itself as being in a continuous progression. In this forward going movement it is led towards heights characterized by enormous complexity and depths defined by compact simplicity. Its needs accumulate, its pleasure happens in the need for development and progression. It senses itself as itself, as its desire intensifies it adds pressure. The climax of the curve does not top. The rise passes as a discharge into the decline. A sliding unconscious, uncontrollable event. The Occident is lost in the twilight of its own endeavors. It crumbles, falls and fades. During the phase-out the new slowly occurs. Merged and parallel it grows and deteriorates.

The mirror image of The Occident tones forward. The distortion suits its need for self-righteousness. The story of the abrupt necessity covers the continual and monotone. It splits culture and nature and thus avoids relating to the absence of impetus. Quivering it is tempted by the dramatic. From the shadows step real occurrences. They lay the foundation for the future. Sweetness is introduced. The colourful defense of The Occident becomes norm.

There is no question of a process. The diverging maneuver is created solely by the need to avoid dealing with the fact that it is composed of the manifold. In the manifold there is simultaneously violent movements and total standstill. The shapes are formed in order to form, sharpen, sort and in the last resort make possible. The Occident lies in the image of itself. It is being cradled in its understanding of itself. In this way it leads itself forward. The change happens in its knowledge of this.

Jonas Jensen (b. Copenhagen 1982, lives and works in Copenhagen) studied at The Royal Academy of Fine Art, Copenhagen with Prof. Carsten Juhl and at Städelschule, Frankfurt with Prof. Willem de Rooij. Recent exhibitions include Nomad Space, Frankfurt, 2012; Bernhard Knaus Fine Art, Frankfurt, 2011; MMK Zollamt, Frankfurt, 2011.

The exhibition is sponsored by the Danish Arts Council Committee for Visual Arts. It will be accompanied by a catalogue in the shape of an LP

 

Please contact us for further information about the exhibition. Opening hours Saturday 12 noon – 4 pm, Sunday 12 noon – 3 pm and by appointment.

info@peintureetsculture.com
peintureetsculpture.com